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劉 曉 

 

藝術創作內容以關注人類和自然環境的關係為主; 2000 年於花蓮 七星潭海岸創作環境藝術,2010 年後嘗試結合地景裝置、行為藝 術、裝置藝術交互呈顯。

2017 年後以錄像藝術為主,經由觀景視窗 攝獵影像,進而開始謀劃自身行為涉入影像,邀請民眾參與行為藝 術進入拍攝,其影像作品猶如天地和人物互為自顯的宇宙中詩意存 有的劇場,「我即是風景」自然成其為是。

Liu hsiao-hui

 

The artist’s content of art creation is mainly concerned with the relationship between human beings and the natural environment. In 2000, she created environmental art on the coast of Hualien Chishingtan Beach (Chishingtan), Hualien. After 2010, she tried to combine landscape installations, performance art, and installation art for interactive presentation.

 

After 2017, the artist focused on video art. She hunted images through the lens of the camera, and then began to involve herself in the video, inviting the public to participate in the performance art to enter the shooting. Her works are like poetry in the universe where the world and the characters are self-evident. In the theater of existence, “I am the landscape” naturally becomes what it should be.

創作自述 
 
自然透過人類視覺的觀看和行動的參與而成其為風景。

 

在花蓮居住,不得不經常感覺到天地蒼茫。 人存活的意義?宇宙奧祕?創作的目的為何? 存活如是自然,自然到幾近陌生,活,成其最大的陌異。感應自然時空一直是我所感興趣的創作場域 。 
 
風景被想像之後,就等待被慾望的時空開挖、成全、收藏、最後回歸消盡放逐,居住在台灣東部私密的山海間,原始景致仍猖獗張狂,我如是生存印記其上,以身體感官親臨,我身在自然中,模擬著人存在的種種存有的動詞和名詞所創生的風景,它們的整體呈顯,訴說人在自然界中詩意的影像書寫和意向所指。 
 
自然有夢,我是探夢者,是用手足掘夢之人,透過召喚、幻視、謀劃、勞動,自我與自然共工共事,於是焉存有的個體戶得以安定下來。這是我和自然共處的影音記事本,我藉由數位媒材勞作出數起動態、靜態影像。 

Creative Discourse 
 
Through observation, nature forms and takes shape in the viewer’s eye, becoming the scenery and landscape that it is. Living in Hualien, I have often felt the vastness of our world. What is the meaning of life? What are the mysteries of the universe? What is the purpose of creation? To live in nature seems almost as unnatural to most, and is the biggest reason for life—to survive. Since the induction of natural space and time, I have been interested in the creative field.  
 
Once the landscape is imagined, it is able to pass through our desires to be explored, find clarity, and collected. Then, do we finally return to exile, living in privacy between mountains and seas in eastern Taiwan—the original landscape still wild. I survive as an imprint to the scape, visiting the bodily senses. When I am in nature, I simulate the presence of all people there as verbs, and nouns for creation of landscapes. Their ultimate portrayal of significance is written through poetic images—within meaning and intent.  

 

Nature dreams, I dream of exploration, the dream of people in the fields, visual hallucinations, planning, labor, working with the self, and passing through to work with nature, then there’s the self-employed to settle. This is my natural coexistence—with my electronic notepad, I work to make the number of digital media flow to and from dynamic and static images. 

 

 
簡   歷/Resume

文化大學大眾傳播系畢業,身任視覺藝術創作和美術教學,2000年之後的創作媒材以攝影和錄像為主,多在自然界中以行動或裝置完成作品

I Graduated from Department of Mass Communication, National University of Culture, I touch children about art for 25 years, also I accept different project of Works. like painting wall, illustration, design.

 

 
展覽年表|Exhibition list

2022 花蓮洄瀾獎「白晝之眠」​錄像作品入圍 

2020 花蓮好地下藝術空間「面風景」藝術個展

 

2019 日本長野縣 「信濃大町「まれびとの地」展覽 / 「米の祭 」地景錄像

2018 台北當代美術館 「還原土地之歌」 /「有河氏-There is a  river」地景錄像

2017 花蓮酒廠創意園區「原創生活節」/「有河氏-There is a  river」地景錄像

 

2017 花蓮市公所「海是生活節 」10店家展覽/「有河氏」、「南濱之鹽」、「河海交界」地景錄像

 

2016 蘭陽瘋創意競賽第三名/「虛線」地景裝置

2015 美國奧瑞岡藝術駐村三個月

 

2015 文化部藝術銀行收藏地景裝置「虛線」、「海濱之鹽」數位輸出影像

 

2015  高雄美術館「以身作則」身體藝術國際策展/ 「掃」、「落」、「汲」錄像

 

2014  花蓮日日「境音」黑白攝影個展

 

2013  O’rip 文創空間/「花蓮-澳門Drifer海廢明信片」影像裝置

 

2012 澳門「藝穗節」/「花蓮-澳門Drifer海廢明信片」影像裝置

 

2010 花蓮東海岸文教基金會「水域」個展

 

2005 花蓮石梯坪「洄瀾第二屆國際創作營」/「獻給藝術家的一束煙」環境裝置

 

2003 花蓮松園別館「洄瀾第一屆國際創作營」/ 「海火線」、「翅膀」環境裝置

2000 花蓮七星潭創作環境藝術「看見花蓮海岸」/「火河」、「炙」、「咬地機」環境裝置

         

          花蓮松園別館「花蓮漂流木展覽」/「虛境」、「上牆」裝置藝術

         

          台北華山「驅動城市」/ 「正在發生的事」行動藝術

2018 Taipei Museum of Contemporary Art / Song of Land Restoration (With Kawai  Video  Installation)

 

2017 Original Life Festival / Hachi-Millan Creek / Hualien Winery Creative Park

 

2017 Sea is Life Festival / There are rivers and seas / Hualien City 10 store home exhibition

 

2016 Dotted Lanyang Landscape Facility / Third Prize in Yilan Crazy Creative Competition

 

2015 USA Origan of art village for three months

 

2015 Collection of Art Bank of the Ministry of Culture dotted line, salt on the seashore

 

2015 Kaohsiung Museum of Art / Leading by example international curation/video sweep,drop, draw

 

2014 Hualien Day/[Environmental Liu Xiaoyi's creative exhibition

 

2014 Tainan Nengsheng Iron Factory/Drifting Imaging DeviceHualien-Macao-Taichung-Tainan Sea Waste Postcard

 

2014 Taichung Broadcasting Bureau/Drifting ImagerHualien-Macau-Taichung Postcard

 

2013 O’rip / Drifting Imaging DeviceMacao-Hualien Sea Waste Postcard

 

2012 Macau Fringe Festival/Drifting DeviceHualien-Macau Sea Waste PostcardimageDrifer]

 

2010 Hualien East Coast Culture and Education Foundation / Solo ExhibitionWater

 

2009 Hualien East Coast Culture and Education Foundation/Big Mountain Wild Fruit Red Exhibition Wuzhihua

 

2005 The 2nd International Creation Camp of Hualien TempleA bundle of cigarettes dedicated to  the artist]

 

2003 Hualien Pine Garden Bengbu Hualien The First International Creation Camp Environment Facility Sea Fire

LineWings2001 Taipei Crown Art Festival/Between Stage Equipment

 

2000 Qi Xing Tan of Hualien released environmental devices Fire River, , and [Bite Machine]

          Hualien Pine Garden / Hualien Driftwood Curatorial Virtual Real EstateUpper Wall

          Taipei Huashan / Drive City 2000 What is happening

藝 術 家 網 站|Artist Website

Flickr–
https://www.flickr.com/photos/125331499@N02/

 

Youtube–
https://www.youtube.com/channel/UCp3x9X38FF80xojwGvqyWkA/videos Wix-https://huiart.wixsite.com/liu-
 
Wix–
https://huiart.wixsite.com/liu-hsiao-hui

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